Papiers cornés
List · 7 items

Papiers cornés

Maeve KelleherMaeve Kelleher · 0 likes
7 items
ListAcademic Papers · Entertainment

Papiers cornés

Maeve Kelleher
@paperlanesmaeve
7Items
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These are the pieces I end up shoving into friends’ inboxes with a “just read this” and then proselytising over an oat flat white. Not the heaviest theory tomes, but the kind of academic essays that change how you walk through a city street, run a meeting, or think about bats (yes, literally). If you like ideas with a good story-behind-them vibe, pick one of these for your next commute and see which sentence sticks with you on the way home.

The list

Rank
Papiers cornés — 7 items
NameFieldYearOne-line gistBest whenMy take
1The Tyranny of Structurelessness – Jo FreemanFeminist theory / organizational sociology1972Why groups that pretend to have no structure quietly grow cliques and informal power anyway.You’re stuck in a “flat” team where decisions mysteriously get made in side chats.Reads like someone finally turning the lights on in every “we don’t do hierarchy here” workplace I’ve ever known. I underlined half of it and immediately thought about three different project teams.
2Prospect Theory: An Analysis of Decision under Risk – Daniel Kahneman & Amos TverskyBehavioral economics / psychology1979Shows how we systematically misjudge gains and losses, caring more about not losing than about winning.You’re trying to understand why everyone freaks out over small risks but shrugs at big, fuzzy ones.Not exactly bedtime reading, but once you get the basic curve-in-your-head idea, you start spotting it everywhere from salary talks to splitting the bill with friends.
3Walking in the City (from The Practice of Everyday Life) – Michel de CerteauCultural theory / urban studies1980Contrasts the god’s‑eye, planner’s view of the city with the messy, inventive ways ordinary people actually walk it.You’re taking the long way home and feel like turning your wander into a tiny piece of fieldwork.This is the one that made me feel less guilty about my habit of ducking down side streets “just to see.” It reads like someone quietly narrating your own city-walking montage.
4Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective – Donna HarawayFeminist epistemology / science studies1988Argues that all knowledge is from somewhere and some body, and that admitting our partial views makes science better, not worse.You’re side‑eyeing claims of “pure objectivity” in a report or study at work.Dense but oddly energising, like a very good ranty podcast transcript. I kept thinking about dashboards and KPIs and who gets to decide what counts as a “fact” in an office.
5On Face-Work: An Analysis of Ritual Elements in Social Interaction – Erving GoffmanSociology / social psychology1955Dissects all the little rituals we do to save face and help others save theirs in everyday interaction.You’re replaying a slightly awkward meeting and wondering why that one comment landed so weirdly.Reads like the script notes for every office conversation ever. After this, you start seeing “face-work” in Slack threads and status updates, not just in dinner‑party faux pas.
6The Myth of the Paperless Office – Abigail Sellen & Richard HarperHuman–computer interaction / workplace studies2002Explains why paper stubbornly survives in “digital” offices and what that says about how we actually work.You’re staring at a desk that’s half notebooks, half spreadsheets, and feeling mildly hypocritical.It’s technically a research‑driven book, but it reads like a very detailed ethnography of our collective stationery habit. Made me feel oddly vindicated about printing slide decks to scribble on the margins.
7The Narrative Construction of Reality – Jerome BrunerCognitive psychology / narrative theory1991Argues that stories aren’t just how we tell what happened; they’re part of how we decide what counts as “real” in the first place.You’re planning a presentation and trying to explain a messy project without putting everyone to sleep.This one quietly rewired how I write status reports. Once you see that you’re always choosing a plot, you start asking whose version of the story you’re telling—and who’s missing from the cast.